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    影视

    A Conversation with Dinah - 综艺

    1989美国综艺·脱口秀
    暂无剧情简介

    Conversation with a Queen - 电影

    1980纪录
    A cinematic portrait of the actress and performer Vija Armane.
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    A Conversation with Syukur - 电影

    2023
    暂无英文版的简介,请添加内容帮助我们完善数据库。
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    A Conversation With... - 电视剧

    2012美国电视剧·剧情
    暂无剧情简介
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    A Conversation with... - 综艺

    1970美国综艺·脱口秀
    Peter J. Reilly interviews guests about tax related issues.
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    A Conversation with Roy Disney - 电影

    2004美国
    A interview with Roy Disney.
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    Conversation with a Cupboard Man - 电影

    1994波兰剧情
    Karol sits for hours in a wardrobe in a rented room on the attic, looking back on his whole life. He was brought up by a single mother who loved his only child with a sick desperate feeling and limited all his world to her own person. Karol's tragedy began with his adolescence. It made his mother aware of her feminity that resulted in her new marriage. Together with a new husband she decided to send the boy to a school for retarded children. Upon leaving the school Karol starts to seek his longing mother who moved out, in a meanwhile, not giving any address.
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    In Conversation with a Goddess - 电影

    2019奇幻
    A bloody little short challenging today's views on body politics.
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    A Conversation with Michelle Yeoh - 电影

    2000美国纪录
    Actress Michelle Yeoh discusses her experience making the film 'Crouching Tiger, Hidden Dragon'.
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    A Conversation with Marcel Duchamp - 电影

    1956美国
    Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase (“I was not aware of Italian Futurism when I painted it”) and The Large Glass (“The two crackings are symmetrically arranged and there is… almost an intention there… a ready-made intention, in other words, that I respect and love.”). These concepts are paradoxically, although quite logically, articulated alongside his desire for “dryness” and mechanical precision. Viewers also gain insight into Duchamp’s thoughts on painting for an “ideal” public—a notion he clearly distinguishes from ivory-tower elitism.
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